Stupid graphic software :(

I wish I still had a workable version of Photoshop. I'm all done with drawing the map of my new module, on a letter-sized piece of paper. I can't add the numbers to it using GIMP, because adding text in GIMP is the weirdest and most unusable functionality I have perhaps ever seen. So I try adding numbers using Paint. Paint, for some reason, decides that my letter-sized map is really huge (probably because of the 300 dpi) so it will put in the numbers ... at a size based on its concept that the map must be three feet by four feet in dimension or something. 12 point font is miniscule when it's added.

Sometimes the whole process of trying to put a module together is an exercise in bashing one's head against a wall.

EDIT ps, if anyone knows how to do this, please let me know.

Re-Release of Spire of Iron and Crystal with review links

Periodically I try to catch up on reporting the various Swords & Wizardry releases (compatible with all old school games, blah blah) that are coming out as regularly as clockwork from Frog God Games. Since I wrote this, links to much more objective reviews are at the end of this post:

SPIRE OF IRON AND CRYSTAL
I wrote this module myself, and first ran it (other than playtesting) at North Texas RPGCon 2009. As it happens, I think this is the best module I've ever written. The Frog God version of it is basically unchanged except for a better map and the addition of illustrations -- the original version, I think, might only have had two pictures in it. If you already have a copy of the module, there's no need to buy the new one, although I think it has been much improved by the additions of great Robert Altbauer maps and some eerie illustrations by MKultra Studios. If you don't have a copy, all I can say is that I personally like this one best out of everything I have written over the years. I'm trying to top it with the ones I'm writing now, and although I'm really liking what I've got in the works, I'm getting less and less sanguine about actually being able to beat this one. We shall see. In the meantime, this one still stands as the best module I've done to date.

The blurb:
Deep in the wilderness stands the legendary Spire of Iron and Crystal, a bizarre structure of twisting iron and four enormous crystals that seem to grow from the very ground itself. The fabled riches of the Spire have never been plundered, for no entrances have ever been found.... until now. Your party of adventurers has discovered the long-hidden secret of entering the Spire.

An adventure for 4-6 characters level 5-6. Tournament scoring and characters are included (note: playtesting indicates it runs best without the time pressures of a tournament format).

Grognardia gave the original an excellent review with 9 out of 10 for creativity:
"this is an excellent mid-level adventure module for referees looking for a slightly more outré locale into which to throw the characters in their campaign. I suspect it will prove a very difficult challenge for many players. Finch pulled out all the stops in writing this one, creating both a truly memorable environment and filling it with obstacles to test even experienced players."

Philotomy Jurament's review is also awesome:
The Spire offers a unique and challenging adventuring environment that feels very alien in nature. Some elements of the dungeon are reassuringly familiar (there are cooridors, rooms, et cetera), but even those familiar elements have bizarre differences from the norm. Other elements are far from the norm, and often quite unexpected. When running my PC through the Spire, I had the feeling that anything could happen, and that I had crossed over into an uncertain world, almost like another dimension. The Spire possesses genre-bending weird-tech elements, but the presentation and the play feels natural (i.e. not jarring) and very suspenseful (fear of the unknown). I think the best way to describe the feeling I got, adventuring in the Spire, was that it reminded me of the anxiousness and uncertainty I remember from my earliest D&D experiences, going "in search of the unknown" and not having any idea what I might find. For a jaded gamer who has played since the 70s, that's quite a thrill.

Jeff Rients said (again, this is about the original publication, but the text is unchanged):
"So yesterday I read The Spire of Iron and Crystal, a Swords & Wizardry adventure from S&W guru Matthew Finch. Man, this is great stuff. The Spire compares very favorably in tone and content to module B4 The Lost City, by the late great Tom Moldvay. "

Dreams in the Lich House (that's Beedo) says:
"Let me just say up front, I found this to be one of the strongest adventures that's been published by the OSR. "

The printed module is $11.99 (includes the pdf as well), and the pdf alone is $4.99.

OD&D, AD&D, and ToH monster stats

Something interesting was brought to my attention today by Razberry Ranid on the Swords & Wizardry message boards about Tome of Horrors. From his perspective it was a negative, from my perspective it's roughly neutral, but it set me thinking about monster formats (or thinking about it again, really, because I gave a fair amount of thought to some of these issues when preparing the S&W Monster Book).

Here was the observation: several of the monsters that don't fit the normal combat mechanisms of the game have the "stat block" omitted in Tome of Horrors. For example, the "bookworm," which eats your scrolls but can be smooshed with a finger when you find them, does not have a columnar presentation of hit dice, armor class, etc. The non-standard way in which they are handled is contained in the text description.

This was clearly an editorial decision (I was not the editor, and I'm not sure I would have had the balls to use two formats like this, although I'm not against the decision) to stick with the way these monsters were formatted in 3e. In 3e, such monsters are considered "hazards" rather than true monsters, since they aren't killed by normal means. One that will be familiar to everyone is green slime, which is not in ToH because it was in the SRD already. But green slime is simply killed by fire. Hit points aren't the issue, armor class isn't the issue: green slime poses a risk and has a solution that lies outside the combat rules. You just set the f***ker on fire with a torch. I think it was a bit anal-retentive of 3e to subdivide monsters in this way, but it does make sense.

AD&D, of course, went ahead and provided a standardized stat block for such monsters, just putting "nil" or "not applicable," or "see below" for all of the entries.

What struck me was the question of whether 3e had actually returned, almost certainly for different reasons, but still returned, to an approach that is actually more typical of Original D&D than Advanced D&D. The Original D&D books, I have always thought, de-emphasized the statistics of a monster -- even keeping them separate from the text descriptions on a different page. The descriptions seemed to me to have a lot more power that way. You were reading the "reality" of this game world in evocative prose, and only later would you bother to look up stats.

In fact, this is the reason why in the S&W Monster Book I went for putting the monster stats into a linear stat block rather than a list of headings at the top. I wanted to emphasize that text description over the stats. The stats are there, of course, but they aren't the salient visual piece that they are in AD&D, they're secondary.

And then yet another thought struck me after I decided that the Tome of Horrors might actually be following the OD&D type of descriptive method. I have no idea if this was true, or if it was even really thought about by anyone at TSR, but ...

In a wargame, you might definitely see monster stats the way they are handled in the OD&D books: a table of stats for the monsters all together. With some details in the ... FOOTNOTES?

It would rock my world if that whole "the text was the important part, which is why it's separate and has no stats" assumption of mine is actually turned on its head. A wargamer looking at that book might very well perceive the chart of AC, HD, etc. to be the "real" part of the monster description, the specifics of how it interacts in combat. And the descriptions, which do indeed occur later, to be the footnotes with the additional data and "historical" information.

That would be a paradigm-shifter. It wouldn't change my preferences any, but it would sure be weird. And as any OD&D player can tell you, if you don't find SOMETHING weird in OD&D, you probably aren't doing it right ... :)

Freebie Downloads at Frog God Games

http://www.talesofthefroggod.com/index.php/news

Frog God Games has posted three free downloads at the FGG site.

The first is the text of all the lair material from the Compiled Tome of Horrors. If you have the S&W version of the book, you already have this, but it's a good preview, if you don't have the book, of what you get in addition to the monsters descriptions.

The second is a listing of the Tome monsters by terrain. This is nice additional material even for those with the S&W Tome already.

Third is a teaser preview of the compiled Deskbook series, which now has the sexier title of "Ultimate Book of Adventure Design." Since it's not specific to a ruleset, the same printing is being sold to both the old school and the Pathfinder markets without a change in text or cover, which makes it less expensive to product (only one setup fee at the printer). I haven't downloaded this yet to see which tables were selected for it.

Commentary on the 1974 Freaky Fantasy Gamer Guild

I have had several emails about these papers that I've described in the last couple of posts, in the interests of academia. I would like to remind everyone that papers described like this on the internet should be treated with great suspicion as to their legitimacy and authenticity. GREAT SUSPICION. That being said, I will continue to keep everyone posted on what I discover in this treasure trove of unquestionably bulletproof, totally believable truth that I have stumbled upon.

More Papers of the 1974 Freaky Fantasy Gamer Guild

In my last post I mentioned how I stumbled across some extremely, extremely authentic D&D papers that seem to span from 1975 to possibly as late as 1985. So far I haven't managed a good scan; my printer/scanner doesn't like light purple, and the handwritten pages are barely decipherable.

I did quickly type out one of the articles, I think from about 1980? (?) The mimeograph appears to be dot-matrix, though, not a typewriter, and I don't know when that started.

This editorial appears to be an entire issue of the 'zine unless there are some missing pages or loose pages that I haven't matched up. As the man says at the end, "Peace in D&D." Enjoy.

I’m still on the road trip, females and males of planet Earth, taking a break from all the things that went down at the wargaming club last week over how far a tirailleur’s musket can shoot accurately, you know? The whole scene was a drag, but it’s giving me a chance to get down with the underground D&D movement across the nation, and I’m grooving on that opportunity. As the man says, the moving pen has writ, and all your tears cannot wash out a word of it. Sound words.

So I’m hangin loose at a temporary crash pad, and just in case there’s a friend of the bears – if you know what I mean -- on the mailing list I won’t say what city I’m in. And I’m in touch with some cats that play D&D, cause you can always find that scene if you know where to look for it. Interesting story, kind of weird: I’m at the local wargaming club (Napoleonics, mostly, some Civil War) and I meet this young-looking cat with one of those new Advanced D&D books, reading at it, and I’m like, “Hey, whoopie-cat,” and he’s like, “pleased to meet you.” Which isn’t what I expected, because he’s got the beard and the ponytail, and a bandanna. Pleased to meet you? And so I’m, “Got that Advanced D&D there?” and he’s all “Yes sir.” So I’m starting to think maybe he’s fuzz, and whether I parked the blue minivan in a legal place. But then he’s like, “It’s good, but I think maybe it’s not the right teaching tool for the game.” So, okay, he’s not fuzz, maybe just not ready to let it all hang out. Maybe he thinks I’m fuzz, cause you find them checking out the underground D&D scene for the man. So I’m hip, whatever. “Teaching tool?” And he sort of curls his mustache into points like Snidley Whiplash in the cartoon, and says, “Yeah, what you really need is a series of books that gradually introduce the gamer to the concepts all the way up to … well, I guess you could do it all the way up to when they become immortal.” So I’m backing away slowly through one of the bead curtains, but there’s this overalls-with-nothing-under chick in the way trying to put up a Keep on Truckin poster, cause there’s only about seven on the walls already. She’s blocking the way out, so I say to the guy, “Man, why would you need books for all that? You can just make it up, man!” And he looks at me from under his bandanna, and he says, “I know I could.” Kind of like Clint Eastwood. Like, shivers, you know? And he says, “I’m on my way to Lake Geneva, man. I’m tired of this underground D&D, hiding and running all the time. I’m going to shave my beard and get a job out there.” And there was like, this charisma, even though the guy was kind of short and way too polite. So I follow him out into the parking lot and he walks up to the VW van parked next to my very own mobile bachelor pad, and opens up the door. “I’m going to Lake Geneva,” he like repeats. “Win competitions. Hit the big time, not like this” … and he gestures over at the club, with its lime green paint and the “Condemned” sign that the man puts up wherever revolution stirs. “I’ve got all my worldly possessions and I’m going to truck over to the real scene.” I’m looking in the van, and he doesn’t have many worldly possessions, just an old guitar, a broken lava lamp and what I think was an EZ Bake Oven. But that van, I don’t know, man, it had the feeling of destiny somehow, like when you see the dude who’s going to win the SCA tournament, and you think to yourself, “That dude is going to win the SCA tournament.” So I’m still there when he fires up the VW van in a big cloud of smoke from the engine and a roar like a red dragon, and just as he puts it in gear, I get that sense of destiny again, so I walk up to the window. He’s trying to fix the coat hanger antenna he’s got powering his hi-fi rig, and he doesn’t notice me, so I reach in and bang on the orange shag carpet on the van ceiling. “Hey, man,” I ask him, “what’s your handle, anyway?” He looks at me, and with the roar of the VW preparing for take-off I can barely hear him, man, but just as he lurched the van out of the parking space and headed off onto the road I could hear him shout, “Name’s Mitzer! Bank Mitzer!” And he puts the pedal to the metal, on the way to his dream.

So, all you whoopie-cats out there in the underground D&D scene, reading the zine of the scene, throw some peace and love out there for Bank Mitzer. Whether you like the establishment or not, man, sometimes you have to make sacrifices for your dream. He’ll probably never have a long beard and a ponytail and a curly mustache again now that he’s going pro. But that’s his dream, and I guess if he succeeds at it, he might even make himself some real bread.

Peace in D&D,

[Signature that looks a lot like “Steve Colbert,” but Steven Colbert of the Colbert report is too young to have been the author]

Papers of the 1974 Freaky Fantasy Gamer Guild

One benefit of being married to someone who works in the court system is that they are guarded by constables, who know all sorts of interesting things. This is how I learned about some cardboard boxes being auctioned off as part of the stuff taken in a drug bust by federal marshals. Due to whatever strange bureaucratic procedures and jurisdictions these things follow, the boxes apparently made their way from somewhere in California over to the auction block in Texas. They were lumped in with some other junk (lava lamps and beanbag chairs, or something, judging from the overall nature of the things being auctioned). Anyway, I cut a deal with the scrap dealer who was buying the non-paper part of the lot,and got the boxes, because one of them contained a boxed set of OD&D, which was worth the $50 I traded off for the boxes.

As I looked through the other papers in the box, though, I realized that what I had here is a historical artifact of considerable interest. Along with what I really hope is not the mummified tail of a cat wrapped with pukka beads, there are several sheafs of yellowing paper entitled "1974 Freaky Fantasy Gamer Guild." All manner of maps, and what appears to be a mimeographed newsletter-zine. The date on the first of these is actually 1975, so I guess the "1974" in the group's name is the date they were founded.

There is a wide variety of stuff here -- this is the authentic voice of early gaming, like Encounter Critical and other such rediscovered gems from the 1970s.

The first issue of the actual zine is entitled "Zooooom, The City of the Yjhakfdghn." Lots of pot dealers and a Cthulhoid monster that streaks naked through the city at night, causing possible insanity for anyone carrying a lantern or other light source. It's ... unusual.

I will report more in coming weeks, as I have a chance to decipher some really bad handwriting and blurry mimeographs. I am really trying to figure out if the name on one of these things is what it appears to be, because it really looks like it could be "Steve Colbert." But ... it couldn't be.